Lighting Modern

R. B. Graves examines the lighting of early modern English drama from both historical and aesthetic perspectives. He traces the contrasting traditions of sunlit amphitheaters and candlelit hall playhouses, describes the different lighting techniques, and estimates the effect of these techniques both indoors and outdoors. Supporting recent scholarship, Graves demonstrates that the conventions of indoor and outdoor illumination are remarkably similar. In addition to providing new evidence, Graves makes use of experiments conducted at the "new" Globe in Southwark, London, and in various Tudor halls. Graves discusses the importance of stage lighting in determining the dramatic effect, even in cases where the manipulation of light was not under the direct control of the theater artists. He devotes a chapter to the early modern lighting equipment available to English Renaissance actors and surveys theatrical lighting before the construction of permanent playhouses in London. Elizabethan stage lighting, he argues, drew on both classical and medieval precedents. Analyzing the effect of the weather on theater lighting, Graves traces the history of performance times in the open-air Elizabethan, Jacobean, and Caroline theaters. He reconstructs the lighting of the amphitheaters by considering the size and shape of the playhouses, the orientation of the stages within the open-air yards, and the presence of roofs shading the stage. Examining the natural lighting of indoor private playhouses, Graves takes note of performance times and the size and placement of windows to evaluate the amount of daylight available in various hall playhouses. He contrasts the natural light with the artificiallight produced for the court masques. Few of the special effects common in court performances, however, were used in the production of plays.

Despite the separation between classical and modern theories of government, contributors to Aristotle and Modern Politics find Aristotle a useful interlocutor for assessing both possibilities and limitations in contemporary politics. In this collection, noted political scientists, theologians, and philosophers discuss the magnitude of Aristotle's presence in contemporary debate and demonstrate some of the ways in which Aristotle sheds new light on contemporary problems. This engaging book also exhibits the persistence of political philosophy at a time when the pervasive influence of "ideology" and "historicism" lead many to deny its possibility. Although the authors of these essays differ on the nature of Aristotle's contribution, all are united by the conviction that he has something important to teach citizens of modern political societies. If the fundamental principles of modern politics were drawn from critical reflections of reason over and against the imposition of authority under its various guises, modern politics can best sustain itself by nurturing the critical attitude that initially brought it into being. Paradoxically, serious engagement with the "preliberal" thought of Aristotle can render contemporary debate more fruitful by bringing to light subtle limitations in the political discourse of any era, including our own. If the modern understanding of freedom is primarily freedom to speak and think for oneself, the essays in Aristotle and Modern Politics exhibit the persistence of political philosophy by thinking beyond limits often constricting contemporary paradigms.

lightingmodern

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